世界奇妙物语 2017年秋季特别篇

《寺岛》：刚刚拿到第一个连载的漫画家山崎（峯田和伸饰），因为助手突然走掉而疲于奔命。某个下雨的日子，自称寺岛的女子（吉冈里帆饰）前来担任助手职务。作为创作素材，寺岛向漫画家讲述了一个可怕的故事。《Freestyle妈妈》：人过中年的主妇细川房子（中山美穗饰）在生活、职场中充满不快，某晚下班时一个奇怪男子推荐给她一支神秘口红。突然口红后，她就会以说唱的方式把心中不满一吐为快。《命运探测器》：完全不相信命运和缘分的和泉凉平（岩田刚典饰）至今单身，某天他捡到一块奇怪的手表，谁知这竟是一个命运探测器。此后，探测器一次次将他带到美丽女孩北泽由纪（石桥杏奈饰）的身边。《夜之声》：大型IT公司总裁我堀英一（藤原龙也饰）人前风光，私下里则时长办成流浪汉减压。某晚，他救下了被坏人追逐的少女百合（饭丰万理江饰）。百合从此暂住流浪汉家中，流浪汉介绍她到自己的公司应聘，然而少女却爱上了流浪汉。

开心汉堡店第八季

　　“鲍勃汉堡店”的隔壁是一家带火葬场的殡仪馆；街道尽头是旅游码头；几个街区外是市属中学，Bob和Linda的孩子们就在那里读书；街对面是Bob的竞争对手JimmyPesto开设的披萨饼店，匹萨对汉堡的大战每天都在上演。鲍伯决定为早午餐和吉米.皮茨竞争，Belcher的孩子们帮助Fischoeder先生的弟弟躲避他。Bob Belcher在妻子和三个孩子的帮助下经营着家族餐馆「鲍勃汉堡店」。这是一家开了三代的小餐馆，规模不大，但是固定客人不少。Bob对汉堡、调味品和肋肉了如指掌，但是对客户服务和商业管理一窍不通。尽管他的柜台总是油腻腻的，店里总是声音嘈杂，食物偶尔质量不好，Bob坚信自己的汉堡「独具特色」，能够开创一个品牌。                                                                    　　Bob Belcher（H. Jon Benjamin配音）在妻子和三个孩子的帮助下经营着家族餐馆「鲍勃汉堡店」。这是一家开了三代的小餐馆，规模不大，但是固定客人不少。Bob对汉堡、调味品和肋肉了如指掌，但是对客户服务和商业管理一窍不通。尽管他的柜台总是油腻腻的，店里总是声音嘈杂，食物偶尔质量不好，Bob坚信自己的汉堡「独具特色」，能够开创一个品牌。尽管生意不忙，但Bob的家人总是到店里来帮忙。不管发生什么情况，Bob的妻子Linda（John Roberts配音）一直支持丈夫实现理想。大女儿Tina（Dan Mintz配音）只有13岁，满脑子都是不切实际的浪漫，没有一点社交经验。排行老二的孩子Gene（Eugene Mirman配音）很有音乐潜力，他在店里传递的笑话远比汉堡包多。年纪最轻的Louis（Kristen Schaal扮演）对老爸的汉堡生意最热心。@

爱不胜防

伯克·瑞恩（亚伦·艾克哈特 Aaron Eckhart 饰）因写了一本关于如何自救的畅销书而成为许多人推崇的疗伤大师。一夜间，读者为他疯狂，多家媒体竞相抛来橄榄枝。但在他内心深处，却一直还未能真正面对妻子的过世。在一次前往西雅图的售书行程中，他遇到了一个经营小花店的女读者艾萝依（詹妮弗·安妮斯顿 Jennifer Aniston 饰）。他的成熟稳重让她心动，她的有趣可爱也同样让他倾心。与她一起，他总能体验到意料之外的人生，发自内心的久违笑容回到了他的脸上。 他只会在西雅图停留三天，而艾萝依也并不确定他是否真正走出丧妻的阴影，做好开始一段新恋情的准备。可突如其来的爱情，是否真的能携子之手与君偕老？©豆瓣

诡咒

花心渣男高伟在生病的幻觉中发现一本诅咒自己的小说——《诡咒》，而作者正是自己的前女友白雪。白雪是个脑洞奇大的女人，因为接受不了高伟与自己的闺蜜萧敏劈腿而心生怨念，于是将天下所有女人对渣男的恨汇聚成了这本诅咒之书。蒙在鼓里的高伟为找寻作者时，发现小说也正在反噬白雪，惊悚的事情一一发生，原因却另有其他……

G杀

波士顿绞杀手

　　影片聚焦臭名昭著的波士顿扼杀者谋杀案：1962年到1964年，13名单身女性在公寓被袭击、性侵、勒死，警方经调查锁定嫌犯Albert DeS alvo，后者认罪被判终身监禁，之后在监狱被人杀死。此案存在诸多疑点，真正的连环杀手和杀害DeSalvo之人至今仍是谜。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

玛格丽特的春天

赌神之女与首富之子即将举行一场世纪婚礼，有关婚礼的一切顿时成了引人瞩目的热门话题。一时间，婚礼造型师、婚宴主厨、品酒师、娱乐小报主编、过气女明星、八国混血贵族，各怀心思纷纷来到澳门，几段阴差阳错又妙趣横生的恋情就此展开……

回首又见他

从美国堪萨斯州载誉归来的医生石川玄（石黑贤 饰）受聘进入天真楼医院，但映入眼帘的并非医生救死扶伤的场面，而是当班医生缺席失职、病患无人照顾的混乱场景。尤其不能让他忍受的是，天真楼的当家外科医生司马江太郎（织田裕二 饰）丝毫没有医者全力医治患者的责任心。司马决不在下班后继 续参与抢救工作，却可为了客观的报酬抢救议员的儿子；他和医疗器械商人关系暧昧，互通利益。最令石川气恼的，司马简直“视患者的生命如草芥”，在患者哪怕还有一丝生还希望时竟然放弃治疗。虽然司马医术高超，备受院方高层赞许，但这两个持这完全不同理念的医生仍然矛盾不断，在这一过程中，白衣天使外衣掩盖下的种种黑幕渐渐浮现出来……

恐怖报纸

白石饰演的主角小野田诗弦就读于京都市内大学的女大生，开始了期盼已久的单身生活，但恐怖报纸就送来了。一开始以为是恶作剧的诗弦，后来接二连三地发生了和报纸上写的一样的事件。由于“恐怖新闻”一天读一次就会缩短100天的寿命，让前途广阔的大学生活也会变成与死亡相伴的噩梦。

爱到杀死你

桑德拉与新丈夫凯文医生搬到一个小镇，他们只认识了六个月。凯文是她梦寐以求的一切，从外表看，他们是完美的一对。然而，凯文开始对桑德拉施加越来越大的控制，而他的妹妹乔琳开始翻新他们的后院甲板。桑德拉的一位同事在凯文的医院死于脑溢血，这让她更加担心。桑德拉开始调查她理想丈夫的过去，她爱的男人把她的生命置于危险之中。

死亡矿坑

二次世界大战期间，拥有“马来之虎”称号的日本南方作战总司令山下奉文曾在东南亚叱咤风云，战时他在当地大肆搜刮钱财。随着日本投降，始终下落不明的“山下黄金”也成为寻宝者趋之若鹜的对象。这一天，某企业总裁的公子哥沃伦带着日本学者理绘（水野美纪 饰）、前英国军人斯坦利（Sam Hazeldine 饰）登陆印尼某小岛。此前他曾从苏门答腊搞到一张地图，地图上的标示令他确信“山下黄金”正藏在这座岛上。虽然有当地雇佣军的保护，可是他们突然遭到一伙不明身份军人的袭击。 　　仓皇之中，这群探险者躲进日军修筑的基地，而这里便是731部队的卫星控制中心。在深锁长达半个世纪的地下迷宫，等待这群人的将是前所未有的恐怖……